雅马哈电钢琴 – UVI Soundbank EGP for Falcon

12.2021 | 3.86 GB

EGP 拥有 5 个音频通道，包括电、L/R 和 M/S 信号、10 个准备、独立的 EQ、电和声信号的效果和动态以及 100 多个专业设计的预设。 EGP 是一款富有表现力且可深度定制的乐器，可为您提供原始的成像和音域，远远超出您之前尝试过的任何电钢琴。

我们的灵感始于 Yamaha CP-70，这是第一款也是最成功的便携式电动三角钢琴。 CP-70 是为 70 年代的巡演音乐家而开发的，它利用类似于吉他的每弦压电拾音器的电放大。这种方法允许使用更小、模块化的结构，非常适合巡回音乐家。从本质上讲，它是一架 300 磅的即插即用三角钢琴。 CP-70 于 70 年代中期推出，十多年来一直受到好评和欢迎，直到它及其兄弟产品 CP-60 和 CP-80 在数码钢琴出现后不久停产。 CP-70 最著名的是由 Peter Gabriel 使用，它是许多流行和前卫摇滚偶像的最爱，包括 Stevie Wonder、Keith Emerson、Led Zeppelin、Boston、Journey、Asia 和 Genesis 的 Paul Jones。

这个项目的目的是从本质上提供一个完整的混合钢琴工作室。我们非常小心地以最完整和最详细的方式捕捉 CP-70 的声音，从而产生了超过 10,000 个样本的核心库。捕获了 5 个离散通道，包括在 L/R 和 M/S 配置中拾音的电输出和乐器声学。 CP-70 的原始电信号使用带有 Vovox 电缆的 A 类直接盒捕获到 Prism 转换器中，以获得最大的清晰度和清晰度。对于声学部分，一对立体声定制 Bruel 和 Kjaer 麦克风位于传统的 L/R 配置中，而 Neumann U67 和 Royer 带状麦克风形成 M/S 信号。

录制了 10 种独特的准备，包括经典、刷子、弓、弓、手指、拨片、棍棒等。每个准备工作都非常注重细节，捕捉循环、释放样本、共鸣和踏板噪音，从而提供真正富有表现力的演奏体验。加载 Pick 准备，打开 Wheel Strum 并像吉他一样弹奏三角钢琴，或者尝试使用一些 Sparkverb™ 进行弓准备——可能性是惊人的。 EGP 是一款用于评分、声音设计和实验音乐的精致工具，可以轻松实现从广阔的音景到旋律打击乐的一切。

 

需要 R2R 猎鹰。

 

Easily the most detailed and comprehensive electric grand piano instrument ever produced, EGP boasts 5 channels of audio including electric, L/R and M/S signals, 10 preparations, independent EQ, effects and dynamics for the electric and acoustic signals and over 100 professionally designed presets. An expressive and deeply customizable instrument, EGP gives you pristine imaging and a sonic range well beyond any electric piano you’ve tried before.

Our inspiration started with the Yamaha CP-70, the first and most successful portable electric grand piano. The CP-70 was developed for touring musicians in the 70’s, making use of electric amplification with per-string piezo pickups similar to a guitar. This approach allowed for a much smaller, modular construction perfect for the touring musician. It was, in essence, a 300lb plug-and-play grand piano. The CP-70 was introduced in the mid 70’s, seeing a positive reception and popularity for over a decade until it, along with its siblings the CP-60 and CP-80, were discontinued shortly after the advent of digital pianos. Most famously used by Peter Gabriel, the CP-70 was a favorite of many pop and prog rock icons including Stevie Wonder, Keith Emerson, Paul Jones of Led Zeppelin, Boston, Journey, Asia and Genesis.

The aim of this project was to essentially deliver an entire hybrid piano studio. Great care was taken to capture the sound of the CP-70 in the most complete and detailed way possible, resulting in a core library of over 10,000 samples. 5 discrete channels were captured, including the electric output and instrument acoustics miked in L/R and M/S configurations. The raw electric signal of the CP-70 was captured with a Class A direct box with Vovox cable into a Prism converter for the utmost clarity and definition. For the acoustic section, a stereo pair of custom Bruel and Kjaer mics sit in a conventional L/R configuration while a Neumann U67 and Royer ribbon mic form the M/S signal.

10 unique preparations were recorded including classic, brush, bow, ebow, fingers, pick, stick and more. Each preparation was approached with the utmost attention to detail, capturing round robins, release samples, sympathetic resonance and pedal noise allowing for a truly expressive playing experience. Load the Pick preparation, turn on Wheel Strum and play a grand piano like a guitar, or try the Bow preparation with a bit of Sparkverb™—the possibilities are staggering. An exquisite tool for scoring, sound design and experimental music, EGP can achieve everything from expansive soundscapes to melodic percussion with ease.

Requires R2R Falcon.

home page

https://www.uvi.net/egp